The United States is one of only a handful of countries that allows companies to hold patents on plant varieties. As a result, a small number of corporations can—and do—suppress competition in the seed industry, stifle innovation, and turn taxpayer subsidies intended for farmers into corporate profits.
One of Taika Waititi's greatest strengths as a director is his unique voice; he's able to bring a light touch to tragedy (Jojo Rabbit) and a gentle sadness to offbeat comedy (Our Flag Means Death). That makes him an excellent choice to direct Klara and the Sun, based on the novel by Kazuo Ishiguro. Sony Pictures just released the first trailer, and it's giving strong Hunt for the Wilderpeople vibes—a good thing, from my perspective, since that's my favorite Waititi film.
Per the official premise:
Based on the bestselling novel from Nobel Prize winner Kazuo Ishiguro and written and directed by Academy Award winner Taika Waititi, Klara and the Sun introduces audiences to Klara (Jenna Ortega), an Artificial Friend who wants nothing more than to find the perfect home. When Klara meets Josie (Mia Tharia), each immediately senses a kindred spirit in the other. Josie has a fraught relationship with her mother (Amy Adams), and they’ve suffered great loss, but Klara’s innocent wonder and unwavering loyalty begin to heal the family and bring light to Josie’s complicated world.
The cast also includes Natasha Lyonne as an artificial friend (AF) store manager; Rachel House as the housekeeper, Melania; Aran Murphy (son of Cillian Murphy) as Josie's best friend, Rick; and Sophia Bryant-Taukiri as Josie's older sister, Sal. Steve Buscemi and Harry Greenwood also appear in as-yet-undisclosed roles.
Doctorow doesn't actually enjoy talking about AI, but he's constantly being asked to comment on it. "I made the tactical error of being sick of talking about AI," Doctorow told Ars. "So I wrote a book about why I think it's a dumb thing to keep asking people to talk about, and now I have to talk about it." Reverse Centaur is Doctorow's attempt to "sort out the bullshit from the material reality."
In automation theory, per Doctorow, a "centaur" describes a human augmented with a technology, like machine learning, or even just driving a car or using autocomplete. A reverse centaur "is a machine head on a human body, a person who is serving as a squishy meat appendage for an uncaring machine," Doctorow said in a speech last December. He gave the example of an Amazon delivery driver, surrounded by AI cameras monitoring their driving, who essentially serves as a peripheral to the delivery van.
Widow's Bay, the delightfully eccentric new comedic horror series from Apple TV, is easily one of the best new series of the year. There's a reason everyone from Guillermo del Toro and Ben Stiller to Damon Lindelof (Lost) is raving about the show. It's an eminently binge-able, addictive series that pays tribute to all the classic horror tropes while reinventing them in surprising ways. Think Stephen King meets Parks and Recreation, with a dash of Twin Peaks—except Widow's Bay is very much its own refreshingly original beast.
(Some spoilers below but no major reveals.)
Tom Loftis (Matthew Rhys) is a widower and mayor of Widow's Bay, a quirky little seaside town that has a colorfully bizarre history marked by periodic tragedies. Tom is eager to elevate the town into a trendy summer tourist destination. But the arrival of New York Times travel writer Arthur Lloyd (Bashir Salahuddin), who has the clout to make Tom's aspirations for Widow's Bay come true, coincides with the onset of a mysterious fog. Local resident Wyck (Stephen Root) warns Tom that the fog is an omen that the island is "waking up," meaning more supernatural occurrences are bound to happen.
We're about six weeks out from the debut of Spider-Man: Brand New Day, the follow-up to 2021’s No Way Home. It's been five years since Spidey graced the big screen, so naturally, Sony Pictures has released a new trailer to build audience anticipation.
(Spoilers for No Way Home below.)
No Way Homeended on a pretty bleak note, with Peter Parker (Tom Holland) asking Doctor Strange (Benedict Cumberbatch) to erase him from everyone’s memory to protect the multiverse, including MJ (Zendaya).
Early in the 11th century, a young Benedictine monk named Eilmer jumped from the 150-foot tower of his abbey in the small English town of Malmesbury, wearing a pair of crude wings he’d fashioned from willow wood and cloth. Eilmer managed to glide a good 600 feet, passing over the city wall before crash-landing in a small valley near the river Avon. The fall broke both his legs, crippling him. Malmesbury Abbey still boasts a stained-glass window in honor of Brother Eilmer.
This legendary experiment in medieval aviation comes to us via 12th-century historian William of Malmesbury in an account written circa 1125, although William neglected to provide future historians with an exact date for the feat. But William does mention another key episode in Eilmer's life when the monk was "advanced in years": Eilmer witnessed Halley's comet in 1066, commenting, "It is long since I saw you." Some historians have interpreted this to mean that Eilmer saw Halley's comet on an earlier fly-by in 989, when he would have been a young boy.
Assuming Eilmer was at least 5 years old in 989, he would have been born no later than 984. This would make Eilmer in his 80s in 1066, with his attempt at flight—which occurred when he was "in his first youth"—likely falling between 1000 and 1010. However, it's an estimate that is based on a lot of assumptions, according to James Aitcheson of the University of Leicester, who argues in a paper published in the journal Notes and Queries that Eilmer may have seen a different comet altogether in his youth—the comet of 1018. If so, he would have been born much later, and the date of his flight would have occurred between the 1020s and 1040s.
The summer blockbuster season has kicked off in earnest with the theatrical release of Disclosure Day, director Steven Spielberg’s highly anticipated return to his “aliens are among us” sci-fi roots. Verdict: There's not much fresh or original here as movies about aliens go, but it's a fast-paced film with a luminous performance by Emily Blunt that won't fail to entertain.
(Some spoilers below but no major reveals.)
The first half of the film is essentially a political thriller—shades of 1974's The Parallax View and similar films—as global tensions have the world teetering on the brink of World War III. A cybersecurity specialist named Daniel (Josh O'Connor) has stolen a piece of alien technology and highly classified files from his employer, Wardex Corporation, a top-secret extension of the US government led by Noah Scanlon (Colin Firth). Scanlon flushes out Daniel by holding his girlfriend Jane (Eve Hewson) hostage. At the trade-off, Daniel double-crosses them and escapes with Jane, and the two go on the run as Scanlon declares Daniel a traitor.
On Friday, news broke of the passing of actor Anthony Head at 72, best known for his portrayal of Watcher/father figure Rupert Giles on the supernatural drama Buffy the Vampire Slayer. Fans and former costars alike flooded social media with outpourings of appreciation for his talent and grief at his death.
Head certainly had a thriving career after Buffy: he played Uther Pendragon in the series Merlin; the Prime Minister in Little Britain; a sinister headmaster in the Doctor Who episode "School Reunion"; and of course, the wealthy, entitled Rupert Mannion in Ted Lasso. But Giles remains his definitive role; there was even talk of a spinoff series, Ripper, although it was never made.
There are actually very few Giles-centric episodes, which belies the central importance of the character in the series. He definitely had some of the best, most cleverly cutting lines. But Head's true genius—and that of his character—lay in quietly filling in the gaps in every scene, working with his fellow castmates to weave a complete tapestry. Remove him, and it diminishes everything.
My hopes were high for the new Prime Video superhero series Spider-Noir, based on all those amazing trailers. But I also had some trepidation. Could the actual series live up to the hype?
As it turns out, yes, it could. Spider-Noir is a triumph, fusing fast-paced storytelling, compelling characters, gorgeous cinematography and production design, and whip-smart dialogue into a hugely entertaining, loving homage to a magical bygone era.
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